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Wartime for the Sugar Girls Page 3
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Soon enough, Archie’s interest in Dolly waned, and one day he asked Ethel if she fancied going to the pictures together at the Imperial cinema in Canning Town. She tried not to jump for joy as she accepted the invitation.
Being alone with Ethel seemed to have a sobering effect on Archie, and around her he kept his cheekiness in check, behaving like the perfect gentleman. That night he didn’t dare do more than sneak an arm around her, even in the dark of the picture house.
In fact, after several months of courting, Archie still hadn’t plucked up the courage to kiss her. One day they were walking to the park together and chatting, when one of Ethel’s friends spotted them from across the road. ‘Just do it, Arch!’ she shouted. ‘Go on!’
Archie froze like a rabbit caught in the headlights, but he knew it was now or never. While Ethel was still chatting away he suddenly turned, grabbed her and planted a great big smacker on her lips.
‘Archie!’ she chastised him, as soon as their lips unlocked, ‘I was in the middle of a sentence!’
But after that she let him kiss her whenever he liked. By the time Ethel joined Tate & Lyle, she and Archie were inseparable.
Phut … phut … phut …
Ethel and Joanie held their breath, along with the hundred or so other inhabitants of the factory shelter, as they listened to the distinctive splutter of the doodlebug. They willed the noise to continue, knowing that if the engine cut out it meant the warhead was about to fall.
The flying bombs, launched from occupied Europe, had become a regular feature of East End life ever since the D-Day landings the previous summer. But at least the doodlebugs, which flew like regular aircraft, provided enough warning to get civilians into shelters. Far more menacing were the V2 rockets, which travelled so fast – at four times the speed of sound – that the explosion was the first anybody knew of them. The shock wave alone was enough to kill unsuspecting victims far from the point of impact, and in the aftermath of a V2 strike it was not uncommon to see a normal-looking bus full of passengers, apparently sitting patiently in their seats but on closer inspection all quite dead.
At the height of the V2 menace the Royal Docks were sustaining a strike every two or three days, but Tate & Lyle’s two factories escaped a single direct hit. Plaistow Wharf had suffered its fair share of battering earlier in the war, with 54 incendiary bombs landing inside the factory, all but one of which were quickly extinguished. There was only one fatality, a Mr Kinnison who ran into an exploding bomb on his way to a shelter. Downriver, the Thames Refinery was also hit many times, but only two minor casualties were reported.
Various rumours had sprung up to explain the firm’s apparent lucky streak. At the Thames Refinery, the most popular theory was that their iconic chimney – the tallest in the area – provided such a good landmark for the docks that the Luftwaffe were reluctant to damage it. At Plaistow Wharf, the story went that the mysterious Hesser company had begged Hitler not to damage their precious packing machines.
Fortunately for Ethel, Tate & Lyle’s good luck continued to hold out, and the splutter of the doodlebug finally began to recede into the distance. The inhabitants of the shelter were able to relax, and Ethel let out a sigh of relief.
Moments later the all-clear siren began to sound, and the men and women around her were suddenly getting to their feet.
‘Back to work then,’ Joanie said cheerfully, munching on the last of her cracker and brushing a few stray crumbs from her lap onto the floor. Ethel followed as they made their way back up the black iron stairs.
On the Hesser Floor, Joanie retreated up to the office, while Ethel returned to her machine, determined to perfect her packing technique. But a friendship had already been forged. Before they left work that day, the two young women had arranged to go to the pictures together.
To begin with, the rigours of her new job took their toll on Ethel. At the end of each day her hair was grey with sugar dust and her clothes were stiff with it. Every night her wrists ached painfully from the twisting movement that she had to repeat over and over again packing hundreds of sugar bags. At work, when it got really bad, she would be sent to the factory surgery, where a nurse would rub ointment on her wrists and bandage them up temporarily, before sending her straight back to the Hesser Floor. But as time went on her muscles grew accustomed to the exertions, and she found herself growing stronger and more robust.
While the work of a sugar girl was building up the muscles in Ethel’s body, her mind soon got some exercise as well. The packers had to tally up the number of sugar bags that had been packed each day and display the result on a board at the base of each machine. Ethel had always been good at maths in school and had no problem with this, but she noticed that a girl on the next machine was struggling. Before long she was doing the other girl’s tally as well as her own.
Her efforts did not go unnoticed up in the office, where the forelady Ivy Batchelor stood gazing out through the glass window over her Hesser girls. Soon she had invited Ethel up to the office to try her out on a new job, calculating the overall tonnage of the entire department. Ethel was delighted, especially since it meant working with Joanie and the other office girls. She hadn’t made any friends on the factory floor and spent most lunchtimes eating a sandwich in the cloakroom on her own while the others all went to the canteen.
Louise Alleyne could not have been more proud of her daughter’s promotion, especially since Gladys Rawlins, from Ethel’s group of friends at home, had now also joined Tate & Lyle and was not progressing beyond sweeping the floor. When Ethel informed her mother of her friend’s dead-end job, she responded in no uncertain terms, ‘They put you on a broom, you come straight home. No girl of mine’s going to sweep floors for the rest of her life.’
The words stuck in Ethel’s mind, making her all the more determined to distinguish herself at work and win her mother’s approval.
As the war moved into its final months, trips to the factory shelters grew increasingly rare. At eight p.m. on 8 May 1945 the voice of company telephonist Nellie Franks was heard over the loudspeaker system announcing that Victory in Europe had been declared. Production was shutting down immediately, and it was time to down tools and begin the party.
Most of the workers congregated in the Recreation Room, where the celebrations were soon underway, carrying on until well after midnight. Outside the factory gates, the locals had lit a huge bonfire made from railway palings and were dancing around it. Even the refinery director, Oliver Lyle, was spotted enjoying a quick jig with them on his way home.
Few parts of the country had as much reason to celebrate the end of the war as the East End, and the area lived up to its reputation for enjoying a good knees-up. Flags and bunting from the King’s coronation nine years earlier were scavenged from old cupboards and strung up all over the houses, effigies of Hitler and his generals hung from the lamp-posts, and more bonfires sprung up in the war-damaged streets, those same East Enders who had fought the blazes caused by the Luftwaffe now raiding telephone kiosks for directories to keep the fires burning. Some enthusiastic souls let off fireworks they had been storing for six years, although the explosions, however beautiful, weren’t universally popular among the battle-weary population.
While some grateful Christians hastened to church as soon as they heard the news, the majority of people hit the local pubs, where the sawdust was trampled underfoot more furiously than ever before. The amount of alcohol consumed was prodigious, and before long the drunkenness had spread to every street. Any pianos that had survived the bombing were dragged outside, along with accordions and radiograms, to provide the soundtrack to a party on a scale never seen before, and the locals sang and danced into the early hours of the morning.
Ethel and Archie headed to a pub in North Woolwich. Unfortunately, even on such a joyous occasion, not everyone was intent on celebrating the peace. As they got onto the bus, Archie accidentally brushed past a drunk man, who took offence and tried to lunge at him.
The
man hadn’t counted on Archie’s lady friend, however. Ethel may have been thin, but she was wiry, and before the man could get to her beloved Archie she had clouted him round the ear.
The nervous 14-year-old who had stood outside the gates of the factory had gone. Ethel was a sugar girl now.
2
Lilian
When Lilian Tull came to Tate & Lyle shortly after the end of the war, she was older than most new arrivals. A lanky, fair-haired woman of 23, she worked in the can-making department, where the Golden Syrup tins were assembled. Lilian had arrived on the job with a heavy heart, and her colleagues noticed a sad, far-away look in her eyes. At break times she could often be seen gazing at a small photograph that she kept in the pocket of her dungarees.
Lilian’s job was to check that the bottoms of the syrup tins were properly sealed. She would pick up five at a time using a long fork and then suction test each one on a special disc. The ones that were faulty fell off and were sent for resealing, while the others continued on their way to the syrup-filling department.
The can-making suited Lilian, because the machines were so noisy it was difficult to talk. Many of the girls had developed the ability to lip-read, but even so the forelady, Rosie Hale, kept an eye out for anyone who seemed to be neglecting their machines, patrolling the room on a balcony above the girls and shouting ‘No talking! Back to work!’ She never had need to scold Lilian, who lacked the high spirits of her chirpy colleagues.
From her earliest years life had been a struggle for Lilian, and she knew the bitter taste of poverty well, having grown up in the dark days of the Great Depression. The Tull family had all slept in a single room on the ground floor of 19 Conway Street, Plaistow. The children shared a bed with their parents, which became increasingly crowded since their mother Edith seemed always to be pregnant or nursing a newborn. Nine babies came along altogether, and were kept quiet with dummies made from rags stuffed with bread and dipped in Tate & Lyle sugar.
The children were clothed in handouts from the church, chopped down to child-size proportions and re-hemmed by their mother. Their father’s Sunday suit was a hand-me-down from the Pearces across the road – the only family in the street rich enough to afford a Christmas tree, and therefore considered ‘posh’. Whenever he wore the suit, Harry Tull was painfully aware that all the neighbours recognised it from its previous owner.
Harry did shift work at the ICI sodaworks in Silvertown, coming home each night covered in cuts from the sharp pieces of soda he chopped up all day. Lilian’s mother Edith would tenderly dress his wounds with strips of cloth covered in Melrose ointment. Keeping a large family on his wages wasn’t easy, and life was lived constantly ‘on the book’, with this week’s money going to pay off last week’s shopping bill at Weaver’s, the shop on the corner. The children were sent down to the greengrocers each weekend to ask for a ha’pence of specks – bad apples – to supplement their diet, and happily gorged on the bits of fruit that were left over once the rotten parts had been cut out.
Despite their poverty, Edith Tull was extremely house-proud. Every morning she could be seen on her hands and knees, scrubbing and whitening the doorstep until it glowed. Next, the shared toilet in the back yard was swilled down with hot water and new squares of newspaper were threaded onto the rusty nail that served as a loo-paper dispenser. Then the coconut matting came up and the place was swept and dusted vigorously until lunchtime. Monday was wash day, when Edith would rub the family’s dirty linen on her washboard until her arms were covered in angry red blisters. Friday was the day for baths, with water heated in the copper by burning old shoes and boots if there was no money for fuel.
Before her husband returned from work each evening, Edith got a fresh piece of newspaper for a tablecloth and carefully laid out the mismatched cutlery and crockery she had got from the rag-and-bone man. Harry would come home and nod in approval. A strict, Victorian-style father, he regarded family teatime as sacred, and tapped his children with his knife if they weren’t sitting up straight. The children themselves were too scared to speak at the table for fear of their father’s disapproval, so mealtimes generally passed in silence. Secretly, they all looked forward to the weeks when he was on the late shift and their more soft-hearted mother allowed them to stay up past their bedtime.
Death seemed to hover over the Tull household. Baby boys Bernard and George came into the world and departed it the same day. When Lilian was six, her grandfather passed away suddenly, and not long afterwards her three-year-old brother Charlie died from unknown causes.
The latest death shook the normally restrained Harry Tull to the core. ‘There’s a curse on this family,’ he cried bitterly.
Harry’s greatest shame was that, since there was no money for a private burial, Charlie would have to be laid to rest in a communal grave at West Ham Cemetery, without a headstone. ‘No son of mine’s going to be buried in an unmarked grave,’ he said, storming out to the back yard.
Lilian went to follow him, but Edith put a hand on her shoulder. ‘Leave him be, love,’ she said. ‘Leave him be.’
Several hours later, Harry was still outside. ‘What’s Daddy doing?’ Lilian asked her mother.
‘Don’t you worry about that,’ came the reply.
Finally, Harry came back into the house, a look of silent suffering on his face. In his hand was a wooden cross he had made himself, the words ‘RIP CHARLIE’ lovingly carved into it.
‘It’s beautiful, Harry,’ Edith said. Lilian saw that her eyes were filling with tears, and felt her own well up, too.
As was the custom, Charlie was laid out in his little coffin in the front room, for family and neighbours to pay their respects. Lilian watched the people come and go, wondering who they all were and why they wanted to stare at her brother.
As night fell the visitors no longer came and Edith told the children it was time for bed. ‘What about Charlie?’ Lilian asked.
There was nowhere else to put him, so the family bedded down in the same room as the coffin. ‘Don’t worry, love, he’ll be sleeping too,’ Lilian’s mother reassured her, gently stroking her blonde hair.
Lilian lay awake all night, thinking about her dead brother lying just feet away from her and wondering if he was going to wake up in the morning.
When Charlie was buried the whole family laid flowers on the grave and Harry hammered the little cross into the earth. Out in the open it looked smaller and more delicate than it had in the house, flimsy in comparison with the real headstones elsewhere in the cemetery.
Harry shook his head. ‘It ain’t right,’ he muttered to Edith.
When they got back to Conway Street, Harry sat with his head in his hands for a long time. Then, suddenly, he got up and marched over to the family’s rickety old marble-topped washstand – virtually the only piece of furniture in the otherwise barren room – and began dismantling it.
‘Harry – what on earth are you doing?’ Edith cried, rushing over to him.
‘If I can’t afford to buy a headstone, then I’ll just have to give this to Charlie,’ he said, yanking the marble away from the wood.
Edith and the children watched open-mouthed as their father heaved the large slab under his arm and walked out of the door.
That Sunday, the children went with their parents to lay flowers at the cemetery. Lilian looked for the little wooden cross but couldn’t find it. ‘Where’s Charlie’s cross gone?’ she asked her mother anxiously.
‘Charlie doesn’t need it any more, sweetheart,’ Edith told her. ‘Look.’
There in the earth was a marble heart, carved out of the washstand, with the name ‘CHARLIE’ engraved upon it.
When Lilian was 12 the Tulls were rehoused in a block of flats near West Ham station. The local fruit and veg seller lent them his horse and cart, and Harry and Edith piled into it what few possessions they had, followed by their children. ‘I’m not sorry to see the back of that place,’ said Edith, as they set off.
The Tulls couldn’t be
lieve their luck when they saw their new home. There were three bedrooms, which meant that Harry and Edith could sleep alone for the first time in more than a decade, and the boys and girls now had separate rooms, even if they did still have to share beds. ‘Look, Harry!’ said Edith in delight. ‘There’s a bathroom!’
Edith’s enthusiasm for vertical living quickly waned, however. Their flat was on the top floor, and with no lifts in the building, climbing the stairs loaded with her shopping from Rathbone Market in Canning Town left her utterly exhausted. She had never been a robust woman, but now she had less energy than ever.
For Lilian, a shy, awkward child, the move to the flats brought her first true friend – a girl by the name of Lily Middleditch. The two soon became thick as thieves.
As the children grew older, Harry consoled himself over the loss of three sons by putting all his hopes into his eldest child, Harry Jnr, who was proving to be something of a brainbox at school. When he passed his exams, his father, glowing with pride, took Harry Jnr to work with him and got him a job in the offices at ICI. He himself might still be chopping soda, but now he went to work with his head held high, knowing his son was working ‘upstairs’.
Lilian, meanwhile, was increasingly feeling like the school dunce. She was persistently coming bottom of the class and becoming shyer and shyer as a result. When she left school at 14, she and Lily Middleditch got themselves jobs at the RC Mills bakery in Hermit Road. For Lilian the bakery was a haven, where, unlike at school, she found something she enjoyed and that didn’t make her feel stupid. She loved to help the baker make his fairy cakes and breathe in the sweet smells seeping from the ovens as they rose. The fresh ones went to the shop at the front, but the stale ones Lilian collected to sell off at the back door for a penny each to the long queues of hungry people who waited there each day.